At University of Chicago, the Campus North Residential Commons, designed by our friends at Studio Gang, provides social spaces and experiences with a view towards “[enhancing] campus and academic life for today’s undergraduates,” says the Gang. The site covers a full city block and is poised as a new point of entry to the campus for the greater Hyde Park community,—Gang calls this a new “front door”—one which might encourage interactions among UofC students of diverse backgrounds, and strengthen connections between the campus and nearby communities. Campus North for short, the structure is more mixed-use than dormitory, providing a combination of student residences, dining options, amenities, outdoor green space, and even retail volumes. In terms of design the Campus North complex comprises three slender bar buildings woven into a fabric of plazas, gardens, walkways and courtyards; pre-cast concrete panels are used to clad the building, creating a contemporary facade but one informed by the neo-Gothic tradition of the campus’ architecture. The Campus North Residential Commons is LEED Gold certified featuring, among other sustainable interventions, argon-filled, low E insulated glass and continuous closed cell foam-insulated building envelope; additionally, all cooking oil from the Dining Commons is recycled into biofuel.
One Hundred East Fifty Third is an extremely slender residential skyscraper in Midtown, designed by our friends at Foster + Partners, rising in close proximity the 1958 Seagram Building of Mies van der Rohe. It stands 63-storeys, contains 94 residential units, and is visually distinctive for its undulant exterior of transparent and white ribbed glass. Foster has also designed the building’s extensive amenities suite, which include a 60′ swimming pool surrounded by distinctive curvilinear windows and screens of slatted oak, of which the latter are also utilized in abutting changing areas which feature rain showers. Black granite figures into the tiling around the pool as well as steps leading down to an abutting lounge, and a staircase links this program to a glassy gymnasium. Additionally, the building’s lobby features a fluted Calacatta marble wall. William T Georgis, principal among our friends at William T Georgis Architect, has designed two setups at the development as well as a pair of model apartments on the building’s 36th floor.
The Aon Center, Chicago’s third-tallest tower, will undergo a $185M renovation for the purposes of boosting tourism. This development, by the New York based 601W, will involve the addition of two 1,K’ exterior elevators in glass, as well as the addition of a rooftop observation deck to the existing structure, of which both are designed by our friends at Solomon Cordwell Buenz. Notable features will include a “sky summit”—a glass-encased pod which will hang off of the edge of the roof—as well as a cantilevered entrance hall at the base of the tower, and an observatory on the top two floors. In preparation for the additions the building’s HVAC system has been removed from the roof and placed elsewhere; also, two-thirds of the exterior columns on the Aon Center’s roof will be removed to allow better views from the deck. 601W has estimated that these additions will attract 2M additional tourists per year.
Roger Ferris + Partners’ “Houston Alleyway” and 141 East Houston, at the site of the old Sunshine Cinema
Developer East End Capital has launched a website featuring new renderings to advertise office spaces at 141 East Houston Street, a 65,K SqFt, 9-storey development, designed by our friends at Roger Ferris + Partners, at the site of the old Sunshine Cinema movie theater. The renderings show that that new glassy box structure will contain commercial space, retail volumes at grade, and “Houston Alleyway”: a greenwalled passageway which will run south from East Houston Street. Retail volumes will be able to accommodate a commercial kitchen and outdoor seating along the Alleyway, which will run along the eastern face of the building. The offices will feature 12′ ceilings without columns, wraparound windows, concierge services and outdoor terraces, and shared amenities include an executive conference center and rooftop terrace.
Related Companies have released photos of the 6856′ SqFt penthouse atop 520 West 28th, both designed by our friends at Zaha Hadid Architects; the property features notably a sculptural white staircase and expansive rooftop terrace with views of the High Line. It occupies the top three floors of ZHA’s 11-storey luxury condo and it, the unit, is listed for $50M, making it the most expensive of the 39 condos in the building which was completed earlier this year. The interiors boast floor-to-ceiling windows with expansive views of the High Line park next to which the building stands; there is an open-plan lounge and dining room, as well as a library and five bedrooms spread out across the first two levels. The third is slightly smaller and gives onto the rooftop patio. The palette for the interiors is minimal, offering relief for the centerpiece, a curving white staircase designed by the late Zaha Hadid, who herself led this project.
The Victoria and Albert Museum (often abbreviated the V&A) has revealed renderings for a new project: V&A East, which will comprise a museum designed by Dublin-based O’Donnell + Tuomey, and a research center designed by our friends at Diller Scofidio + Renfro. V&A East will be located within the Queen Elizabeth Olympic Park in London: the museum will comprise two galleries to showcase V&A collections, and the research center will constitute a new state-of-the-art model for collection storage and public display: conceived as a vertically organized program, it will house 250,K objects from the V&A’s collections of fashion, textiles, sculpture, furniture, painting, ceramics, glass, design and architecture. Says Elizabeth Diller, Partner, DS+R, “[Stepping into] V&A East will be like stepping into an immersive cabinet of curiosities—a three-dimensional sampling of the eclectic collection of artifacts, programmed with diverse spaces for research, object study, workshops, and back-of-house functions.” Both venues of V&A East will be open to families, students of all ages, artists and designers, and tourists.
One Vanderbilt, a forthcoming supertall designed by our friends at Kohn Pedersen Fox, is expected to top out, at 1,401′, in fewer than two years; in the meantime, new construction photos show its distinctive terra cotta facade. Upon completion, expected to occur in mid-2020—construction is as yet well ahead of schedule—the 77-storey tower will become the New York’s fourth-tallest; it is is expected to reach 50-storeys by the end of 2018, and 37% of its units are already leased. Additionally, the building will feature the city’s fourth-tallest observation deck, at the observatory at One Vanderbilt, which will feature 3-storeys of indoor and outdoor space, and will exist 1,K+’ in elevation. A big draw for prospective leasees are the units’ extremely high ceilings, which range from 14.5′ to 24′, and columnless floorplates. To make this project possible, its developer SL Green spent $220M on a connection to and general improvements of the Grand Central Terminal subway station, adding a 4,K SqFt transit hall for commuters to gather. KPF will also add a 15,K SqFt public plaza along Vanderbilt Avenue to flank the building’s entrance.
Next month, ground will be broken on the expansion of the landmarked Wilshire Boulevard Temple, a reform synagogue in Los Angeles, which is the oldest and one of the largest Jewish congregations in that city. Originally designed by Samuel Tilden Norton, this expansion will be undertaken by our friends at OMA | The Office for Metropolitan Architecture. Construction on the $75M project will commence with the new Audrey Irmas Pavilion; the expansion, which covers three-storeys, will include space for the congregation as well as supportive services for the surrounding Wilshire Center district. The Pavilion will comprise a large event space and a smaller more flexible space, as well as, notably, a sunken garden. The new floors are characterized by a sloping facade which angles away from the historic temple, with a series of openings that filter light throughout the complex.
The Getty Gas Station in Chelsea is now the site of Lehmann Maupin’s second New York gallery, which was designed by our friends at Peter Marino Architect—the first, designed by Rem Koolhaas and the Office for Metropolitan Architecture. Furthermore, Marino and company will design the Hill Art Foundation as well as a luxury apartment complex, of which both will sit above the gallery. The 9,K SqFt gallery bowed with the exhibition “Liza Lou: Classification and Nomenclature of Clouds,” the sculptor’s first in the city in a decade, a comprehensive showing which required the use of the new as well as the original gallery space; also on view at the latter, the 22″-tall “Primary,” a patchwork of colored glass beads woven by South African artisans.